Thursday, July 23, 2015

Melchizedek

In the pase of Corpus Christi Church, on the gospel side, is a stained glass window of  Melchizedek.   Melchizedek was a king and priest who blesses Abram in the 14th chapter of the Book of Genesis.  In the chapter, he is introduced as the king of Salem, and priest of El Elyon (“God most High”).  He brings out bread and wine and blesses Abram and Elyon.


The depiction of Melchizedek in the Jenkins Memorial-Corpus Christi Church makes perfect sense when one considers the fact that Catholics find the roots of their priesthood in the tradition of Melchizedek[i] .  In Genesis 14:18, Melchizedek offers a sacrifice of bread and wine. Christ therefore fulfilled the prophecy of Psalm 110:4, that he would be a priest "after the order of Melchizedek," at the Last Supper, when he broke and shared bread with his disciples.  

Then Melchizedek king of Salem brought out bread and wine. He was priest of God Most High, and he blessed Abram, saying,“Blessed be Abram by God Most High, Creator of heaven and earth.  And praise be to God Most High, who delivered your enemies into your hand. Then Abram gave him a tenth of everything.[ii]

Catholics take Christ's command that the Apostles should "do this in memory of Me" seriously.  As such, the Catholic Church continues to offer sacrifices of bread and wine at Mass, as part of the sacrament of the Eucharist.

This particular stained glass window is completely filled with the figure of Melchizedec offering his sacrifice of bread and wine.  His mantel of ruby red becomes the finest color in the midday rays of the sun.  In small compartments in the lower part of the light are also represented the falling manna of the desert, and the loaves of proposition from the Holy of Holies; and in small shields at either side are the wheat and the vine, emblems of the Blessed Sacrament as the others are the types.[iii]

Before I close, I cannot resist sharing another artistic rendition of the meeting between Abraham and Melchizedek, this one by Dieric Bouts the Elder (1464-1467) at The Church of Saint Peter in Leuven, Belgium where I went to college.  This painting is part of the Altarpiece of the Holy Sacrament which has 4 additional panels: The Last Supper (central piece), Elijah and the Angel, the Gathering of the Manna and The Feast of the Passover.






[i] Cathechism of the Catholic Church, 1544
[ii]Genesis 14:18-20 New International Version (NIV)
[iii] Jenkins Memorial Church of Corpus Christi, Baltimore, Md. : a description of its stained glass windows and the subjects depicted therein

Monday, July 20, 2015

Corpus Christi’s 1889 J.H & C.S Odell organ

This past weekend, Corpus Christi Church once again hosted a variety of musical concerts during the annual Artscape Festival.  This was in fact the 22nd year that the church opened its doors to the Baltimore arts and music community.  Four of the concerts featured organ music by renowned organists Ruth Eldredge Thomas, Michael Britt, Sean O’Connor, and Saunders Allan.  They played the historic Odell organ from 1889.



Brothers John Henry and Caleb Sherwood Odell founded the organ building firm of J.H. & C.S. Odell in 1859 on West 42nd Street in New York City.  From the onset, they distinguished themselves as builders of refined instruments.  At one point, more than 200 Odell organs were being played in New York City alone, including those at St. Patrick’s Cathedral, St. Bartholomew’s, Fifth Avenue Presbyterian, Marble Collegiate, St. Charles Borromeo and St. Michael's, 34th Street. [i] [ii]

It comes therefore as no surprise that Michael Jenkins and his siblings enlisted the Odell Company to build the organ for Corpus Christi-Jenkins Memorial Church.  The instrument was builtin 1889 and installed in the church in November 1890.  Price paid was $4,200.

The Baltimore Sun of November 22, 1890 described it as follows:

A fine new organ has just been erected in Corpus Christi, or Jenkins Memorial Church, Townsend street and Mt. Royal avenue, which will be used in public for the first time on the occasion of the consecration of the church, on January 1.  It is a two-manual organ, and contains the following stops: On the great open diapason, 16 feet; stopped diapason, 8; dropped flote, 8; gambi, 8; dolce, 8; octave, 4; flute d’amour, 4; twelfth 2 2/3; fifteenth, 2; mixture, trumpet 8.  On the swell – Bourdon, 16; open diapason, 8; stopped diapason, 8; salicional, 8; vox celestia, 8; octave, 4; wald flute, 4; flantina, 2; dolce cornet, oboe, 8.  The pedal stops are: Open diapason, 16; Bourdon, 16; violoncello, 8.  There are eight patent combination pistons, which make the organ practically equal to a three-manual instrument.  It will be worked by a gas or electric motor, as there is not sufficient water-power at command. 
The test the organ Mr. Edwin Aler gave an informal recital to Mr. Michael Jenkins, Rev. W. E. Starr, pastor of the church, Rev. Wayland D. Ball, of the Associate Reformed Church, and others.  The tone of the organ is full, but not forced, and the voicing is not brilliant, but “churchy.” The organ compares favorably with others of its capacity here, and is probably the best two-manual organ in the city.

The organ built by J.H. & C.S. Odell is a tracker organ, i.e., an organ that is played with mechanical action.  In a tracker organ, the organist presses keys and pulls stops which control the organ's pipes and couplers through a complex matrix of levers and valves.   The levers and valves admit air to the pipe in order to produce the sound, which is directly controlled by the force of the organist's finger on the key.   Some say that tracker organs are best suited to earlier forms of classical music. The instruments are often tuned to older scales of tuning in order to perform music as it was played in earlier ages. A good tracker organ in the hands of a skilled organist, however, can play almost any literature, including popular Broadway and Rock music songs of the late Twentieth-century.
Corpus Christi’s organ is installed in a gallery-level case at the rear of the church.  It features a traditional style console with a keyboard cover that can be lifted to form a music rack, and has an attached keydesk.  It comes with two manuals, three divisions, 26 stops and 28 ranks.  The drawknobs are placed in horizontal rows on terraced jambs.   The Great Division utilizes double drawstop pneumatics to draw the stop sliders, allowing the ingenious use of programmable mechanical combination pistons, as well as a piston for reversible Swell to Great Coupler. All features were well ahead of their time in 1889.[iii]

Corpus Christi’s beautiful instrument courageously continues to make music after 125 years despite its unrestored condition.  In 1995 Bruce Stevens, director of Historic Organ Study Tours and active recitalist in the United States and Europe, recorded Joseph Rheinberger’s Sonata for organ No. 20 in F major, Op. 196 on the Corpus Christi Organ.   However, a full restoration is the dream of many organ afficionados in the area.  Ten years ago the latter was estimated to cost $154,000.   Today we may very well be looking at a price of twice that much.



[i][i] Wikipedia Contributors. "J. H. & C. S. Odell." Wikipedia. Wikipedia, The Free Encyclopedia, 25 Jan. 2-13. Web. 01 July 2015.
[ii] "History." J.H. & C.S. Odell, Pipe Organ Builders. N.p., n.d. Web. 01 July 2015.
[iii] Storey, David. " J. H. & C. S. Odell & Co., Opus 277, 1889." OHS Database. Organ Historical Society, n.d. Web. 01 July 2015.