Wednesday, June 17, 2015

The Feast of St. John the Baptist

Next week Wednesday, June 24, the church celebrates the Nativity of St. John the Baptist.  June 24 is also this saint’s feast day, which is unusual (normally a the day of a saint’s death is chosen as the feast day because that day marks the saint’s entrance into heaven).  However, Catholic tradition holds that St. John was cleansed of original sin in the womb of his mother at the greeting of Mary. 

The nativity of St. John the Baptist comes three months after the Annunciation (March 25) and six months before Christmas (December 25).  If you are wondering why June 24, rather than 25, this is due to the Roman way of counting, which proceeded backward from the calends (first day) of the succeeding month.  Christmas was "the eighth day before the Kalends of January".  Consequently, St. John's nativity was put on the "eighth day before the Kalends of July." However, since June has only thirty days, in our way of counting the feast falls on June 24.

St. John the Baptist, the forerunner or ‘messenger’ of Christ, forms a link between the Old and New Testaments, being regarded as the last in the line of Old Testament prophets and the first of the saints of the New.  He was the son of Zacharias, a priest of the Temple of Jerusalem, and Elisabeth, a kinswoman of the Virgin Mary.  St. John was a preacher and lived an ascetic life in the desert.  He baptized in the Jordan waters all who came to him in a penitent spirit.  At the baptism of Christ, the Holy Ghost appears in the form of a dove was seen to descend from heaven.  He was imprisoned by Herod Antipas and later executed as a consequence of a rash promise made by the tetrarch to his step-daughter Salome.[i]

In 1901, three additional stained glass windows were installed at Corpus Christi Church, further gifts from Michael Jenkins.  In the main vestibule, St. Michael & St. Gabriel were added, whereas the side vestibule was adorned with a portrait of St. John the Baptist.



The saint is portrayed as an adult walking in the wilderness.  He is dressed in a camel’s hair coat, but the artist added a white outer garment of cloth, much like a toga.  Around his waist is a leather girdle.  His hair is rather wild an unkempt. 

 In his left hand he holds the reed cross with a long slender stem, his attribute and a symbol for a preacher.   His right hand is lifted upwards as he is pointing to God in heaven.  From the reed cross a banner unfolds with the words “Ecce Agnus Dei” (John 1:35-36).   

The next day John again was standing with two of his disciples,  and as he watched Jesus walk by, he exclaimed, “Look, here is the Lamb of God!”

Reeds are growing at his feet, a reference to Jesus’ statement of John in Luke 7:24-26

When John’s messengers had gone, Jesus began to speak to the crowds about John: “What did you go out into the wilderness to look at? A reed shaken by the wind?  What then did you go out to see? Someone dressed in soft robes? Look, those who put on fine clothing and live in luxury are in royal palaces. 26What then did you go out to see? A prophet? Yes, I tell you, and more than a prophet.  

Two white birds (doves?) are hovering nearby, perhaps foretelling the descent of the Holy Spirit in the form of a dove at Jesus’ baptism.[ii]


[i] James Hall, Dictionary of Subjects and Symbols in Art (Westview Press, 2008): p. 178
[ii] Ibid.; Richard Taylor, How to read a church (Hidden Spring, 2003): p. 94-95.

Thursday, June 11, 2015

Why Tobias?

A friend at church asked me last weekend “Why Tobias?”  Meaning, why did the Jenkins family choose to depict the story of Tobias in the church’s rose window? 


A rose window, as Wikipedia explains, is a typical feature of gothic churches.  It is a circular window, with mullions and traceries generally radiating from the center, and filled with stained glasses.   The term “rose window” may come from the English flower named rose.    The most beautiful examples of rose windows are to be found in the Ile de France and the adjoining provinces, Picardy and Champagne. The west rose of Notre Dame of Paris (c. 1220) is considered the most beautiful of all.


At Corpus Christi, the rose window is found high in the front façade of the church, above the organ, underneath a pointed arch.  The window was designed and created by the John Hardman & Co., and installed before 1891.  It was installed in memory of the founders’ great grandparents: Michael Jenkins (1736-1802) and Charity Ann Wheeler (1743-1820). 

In the center image, St. Raphael appears leading the youthful Tobias.  St. Raphael is depicted here in his representative character as Prince of the Guardian Angels and the Protector of travelers.  He carries in his hands a pilgrim’s staff and the fish, which is his special emblem.  The city in the distance, the Rages of the story of Tobias, is typical here of the Heavenly City to which all, under his guidance and protection, are traveling in this vale of tears.   On a scroll beneath is written the comforting text, He hath given his angels charge over thee.


The story of Tobias is told in the Book of Tobit.  It was unusually popular among Old Testament themes during the middle ages.  I found a short synopsis at the website of the United States Conference of Catholic Bishops:

Tobit, a devout and wealthy Israelite living among the captives deported to Nineveh from the Northern Kingdom of Israel in 722/721 B.C., suffers severe reverses and is finally blinded. Because of his misfortunes he begs the Lord to let him die. But recalling the large sum he had formerly deposited in far-off Media, he sends his son Tobiah there to bring back the money. In Media, at this same time, a young woman, Sarah, also prays for death, because she has lost seven husbands, each killed in turn on his wedding night by the demon Asmodeus. God hears the prayers of Tobit and Sarah and sends the angel Raphael in human form to aid them both.

Raphael makes the trip to Media with Tobiah. When Tobiah is attacked by a large fish as he bathes in the Tigris River, Raphael orders him to seize it and to remove its gall, heart, and liver because they are useful for medicine. Later, at Raphael’s urging, Tobiah marries Sarah, and uses the fish’s heart and liver to drive Asmodeus from the bridal chamber. Returning to Nineveh with his wife and his father’s money, Tobiah rubs the fish’s gall into his father’s eyes and cures him. Finally, Raphael reveals his true identity and returns to heaven. Tobit then utters his beautiful hymn of praise.   Before dying, Tobit tells his son to leave Nineveh because God will destroy that wicked city. After Tobiah buries his father and mother, he and his family depart for Media, where he later learns that the destruction of Nineveh has taken place.

The most likely reason the Story of Tobit was chosen by the Jenkins family is the fact that is emphasizes the family-oriented virtues of honoring parents, giving alms, and encouraging marriage.  In Chapter 4 Tobit tells his son:

 “Son, when I die, give me a decent burial. Honor your mother, and do not abandon her as long as she lives. Do whatever pleases her, and do not grieve her spirit in any way …

Give alms from your possessions. Do not turn your face away from any of the poor, so that 
God’s face will not be turned away from you … Give in proportion to what you own. …  For almsgiving delivers from death and keeps one from entering into Darkness …

Be on your guard, son, against every kind of fornication, and above all, marry a woman of your own ancestral family …

And so when Tobit dies, Tobias buried him with honor.  And when Tobiah’s mother died, she was buried next to Tobit. 

Sound familiar?